Like all recent Wilson loudspeakers, the Yvette is the beneficiary of Wilson’s state-of-the-art composites research, the heart of which is the laser vibrometer. Beyond using the best enclosure materials, the Yvette’s architecture is driven by two factors: time-domain performance, and extremely low-resonance and vibration contribution.

The enclosure is built primarily from two Wilson-developed composites: the third generation of X-Material, an extremely well-damped and inert composite, and S-Material, which was developed for exquisite midrange performance.

The S-Material midrange baffle is angled to its own plane in order to optimize its time-domain relationship between the woofer below and the #tweeter above. Wilson’s engineers designed a new venting system for the midrange enclosure, similar to those found on the XLF, Alexx, Alexia, and Sasha Series 2.

The tweeter baffle is built from X-Material, and, like the mid baffle, is optimized for time-domain performance and dispersion. The X-Material woofer baffle is also positioned optimally in the vertical array. As is true for the Sabrina, Alexx, and the upcoming WAMM, Yvette’s bass baffle angles back slightly toward the midrange for better dispersion accuracy in the upper bass, and more optimized time alignment between the woofer and midrange. The lowest section of the enclosure, below the woofer, changes direction again, and is perpendicular to the ground. This facilitates a smaller footprint when compared to the Sophia.

Bracing in this system is more ambitious and heroic than any previous single-enclosure system—another direct result of laser vibrometer testing. Even the tweeter grille design was scrutinized and meticulously designed, with a frame shape that reduces acoustic interaction.

Wilson’s exclusive resistor tuning system, located in an isolated chamber on the rear of the enclosure, can be accessed through a convenient cover on the rear of the loudspeaker. It features improved hardware and accessibility over that found in the Sophia 3.

The Yvette shape and overall aesthetic may call to mind the Sasha Series 2 and elements of the Sabrina. She is simple and organic, with sculpted lines that remind the viewer of the important function her shape serves.