T + A: “Why do you engineer an amplifier that bats would enjoy? Reading the specification sheets for our R-Series might suggest a pivot into high-end acoustic entertainment for the local wildlife. But in Herford, we understand a rather stubborn truth of acoustics: a single sound consists of an infinite number of frequencies.
That is exactly why we insist on an “Ultra Wide Bandwidth” signal chain. Our preamplifiers operate up to a staggering 300 kHz, and our source components don’t even begin to roll off until 60 kHz.
Why? Because the true character of an instrument, the initial attack of a piano key or the resonance of a cello string, relies on this vast, theoretically infinite web of frequencies. If you prematurely cap the frequency response just above the basic limits of human hearing, you artificially truncate that harmonic structure. You rob the sound of the depth, texture, and natural richness it had in real life.
We aren’t trying to let you hear ultrasound. By refusing to cap the frequency range, we are simply employing a highly unreasonable amount of engineering to ensure every single sound is reconstructed with the exact, uncompromising richness of the original performance.”
